Exhibitions

In Florescĕre, Beatriz Salvatierra explores the flower as a mirror of identity, femininity, motherhood, and the cycles of life. Through an intimate photographic gaze, organic forms dissolve into abstract landscapes of light, texture, and transparency, revealing the hidden within the familiar. The series unfolds in three acts: Magnolia, Memoria, and Misterio.

In The Beauty of Permanence, Elizabeth Mosler transforms the places she visits and remembers into a territory of memory, emotion, and contemplation. Each work invites us to pause before the subtle traces that remain as time continues to move forward.

Vivrière gathers together a collection of my watercolors, drawings, photographs and texts from 2016 to 2026. The words hidden within “vivrière”—dream, river, glass, green, life— all capture and refract glimpses of the nature of the pieces, and what binds them together.

I have reflected extensively on film as a medium and on the limits of digital imagery in the context of archival photography, or of any image intended to belong to the lineage of testimonial photographs (from postcards to photojournalism), which finds a cinematic counterpart in the documentary work of the Lumière brothers.